At this stage, the re-appropriation of an identity and a specificity that distinguishes her from the accepted image of the commercial strip teaser can be established.   In her photographic series, Katharina Bosse immediately brings up the question of women's image from the angle of the inversion of the process of re-presentation. She deliberately chooses to extract each of the burlesque performers from her spectacular context, favoring instead diurnal photographs in the everyday environment. Putting forward a stage character acting out a posture behind which is a double identity, suddenly blurs the line between public sphere and private sphere. < PREVIOUS PAGE